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| 01 |
United Colours |
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05:31 |
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| 02 |
Slug |
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04:41 |
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| 03 |
Your Blue Room |
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05:27 |
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| 04 |
Always Forever Now |
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06:23 |
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| 05 |
A Different Kind of Blue |
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02:02 |
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| 06 |
Beach Sequence |
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03:31 |
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| 07 |
Miss Sarajevo (with Luciano Pavarotti) |
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05:40 |
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| 08 |
Ito Okashi |
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03:24 |
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| 09 |
One Minute Warning |
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04:39 |
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| 10 |
Corpse (These Chains Are Way Too Long) |
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03:34 |
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| 11 |
Elvis Ate America |
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03:00 |
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| 12 |
Plot 180 |
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03:40 |
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| 13 |
Theme From The Swan |
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03:24 |
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| 14 |
Theme From Let's Go Native |
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03:07 |
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| Price |
kr. 5,00 |
| Condition |
Fair |
| Current Value |
kr. 5,00 |
| Owner |
Dan Dethlefsen |
| Location |
Musikrum |
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| Packaging |
Jewel Case |
| Spars |
N/A |
| Sound |
Stereo |
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Passengers...
BRIAN ENO: strategies, sequences, synthesizer, treatments,\nmixing, chorus voices. Vocal on "A Different Kind Of Blue"
BONO: vocal, guitar. Piano on "Beach Sequence"\n\nADAM CLAYTON: bass. Narration on "Your Blue Room"
THE EDGE: guitars, chorus voices. Vocal on "Corpse (These\nChains Are Way Too Long)", organ on "Your Blue Room"
LARRY MULLEN JNR: drums, percussion. Rhythm sequence\non "One Minute Warning", rhythm synthesizer on "United\nColours"
LUCIANO PAVAROTTI: tenor voice on "Miss Sarajevo"
HOLI: vocals/co-writer on "Ito Okashi". Voice on "One\nMinute Warning"
HOWIE B: mixing, treatments, scratching. Call vocal/rhythm\ntrack/co-writer on "Elvis Ate America"
CRAIG ARMSTRONG: string arrangement on "Miss Sarajevo"\n\nPAUL BARRETT: string arrangement on "Always Forever Now"
DES BROADBERY: sequencer on "Always Forever Now"
DAVID HERBERT: saxophone on "United Colours" and\n"Corpse (These Chains Are Way Too Long)"\n\nHOLGER ZSCHENDERLEIN: additional synthesizer on "One\nMinute Warning"
YEAR: 1995 ID3G: 12
Passengers is a collaboration between U2 and Brian Eno, so it should come as no surprise that the music on Original Soundtracks 1 is an extension of U2's last album, Zooropa. Under Eno's influence, the group incorporates more ambient electronic soundscapes, which unravel over the course of the album. In fact, Original Soundtracks 1 sounds more like a Brian Eno album than a U2 release, except when the band's knack for anthemic pop songwriting shines through every once and a while. The most affecting example of this is "Miss Sarajevo," a slowly pulsating and melancholy collaboration with Luciano Pavarotti, who makes the middle eight soar. Equally impressive is the sweeping "Your Blue Room," which stands as one of U2's finest ballads. Nevertheless, the heart of the album is in its instrumentals, where the band -- particularly the Edge and Eno -- manages to keep the constantly shifting sonic colors and textures involving and intriguing. ~ Stephen Thomas Erlewine, All Music Guide
