|
|
|
|
|
|
18:41 |
|
| 01 |
Rising Power |
|
|
|
03:43 |
|
| 02 |
This House Is On Fire |
|
|
|
03:23 |
|
| 03 |
Flick Of The Switch |
|
|
|
03:17 |
|
| 04 |
Nervous Shakedown |
|
|
|
04:22 |
|
| 05 |
Landslide |
|
|
|
03:56 |
|
|
|
|
|
18:07 |
|
| 06 |
Guns For Hire |
|
|
|
03:25 |
|
| 07 |
Deep In The Hole |
|
|
|
03:17 |
|
| 08 |
Bedlam In Belgium |
|
|
|
03:48 |
|
| 09 |
Badlands |
|
|
|
03:37 |
|
| 10 |
Brain Shake |
|
|
|
04:00 |
|
|
|
| Country |
Australia |
| Cat. Number |
78-0100-1 |
| UPC (Barcode) |
075678010019 |
| Packaging |
Long box |
| Spars |
N/A |
| Sound |
Stereo |
|
| Drums and Percussion |
Phil Rudd |
| Bass Guitar |
Cliff Williams |
| Guitar-Electric |
Angus Young |
| Guitar-Electric |
Malcolm Young |
| Vocals |
Brian Johnson |
|
| Songwriter |
Angus Young; Brian Johnson; Malcolm Young |
| Producer |
Angus Young; Brian Johnson; Cliff Williams; Malcolm Young; Phil Rudd |
| Engineer |
Barry Harris; Benji Armbrister; Gary Helman; Tony Platt |
|
Bass - Cliff Williams
Drums - Phil Rudd
Guitar [Lead] - Angus Young
Mastered By - Bob Ludwig
Producer - AC/DC
Rhythm Guitar - Malcolm Young
Vocals - Brian Johnson
Written By - Johnson , Young , Young
Recorded at Compass Point Studios, Nassau, Bahamas
Originally Released as Atlantic #80100 on August 15, 1983 Digitally Remastered from the original Master Tapes by George Marino at Sterling SoundFor Flick of the Switch, AC/DC jettisoned producer Mutt Lange in an attempt to recapture the rawness and simplicity of their early records. While they more or less succeed in terms of the record's sound, and show more energy than on the preceding For Those About to Rock (We Salute You), the songs themselves suffer - AC/DC's music has always been simple, but here it sounds underdeveloped and unmemorable. As perhaps indicated by the record's idiotic original title, the utterly generic I Like to Rock, AC/DC seemed to be running out of ideas at an alarming rate, and their record sales began to reflect that fact.Für Flick von Switch, AC/DC von abgeworfenem Produzenten Mutt Lange in der Bemühung das rawness und die Einfachheit ihrer frühen Aufzeichnungen wieder erlangen. Während sie mehr oder weniger in dem Ton der Aufzeichnung ausgedrückt folgen und mehr Energie als auf dem vorhergehenden For zu Those About zeigen Rock (We Salute You) , leiden die Songs selbst - AC/DC's Musik ist immer einfach gewesen, aber hier klingt sie unterentwickelt und unmemorable. Wie möglicherweise angezeigt durch den idiotic ursprünglichen Tit
